member: Pope.L, 1978–2001 295570
Код товару: 295570Паперова книга
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ISBN9781633450868
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Бренд
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Автор
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Рік2019
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МоваАнглійська
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ІлюстраціїФотографії
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ЖанрЕсе, Кінематограф, театр
The first-in depth publication to critically investigate the impact of Pope.L’s early performances on his career
Pope.L (b. 1955) is a consummate thinker and provocateur whose practice across multiple mediums – including painting, drawing, installation, sculpture, theatre and video – utilizes abjection, humour, endurance, language and absurdity to confront and undermine rigid systems of belief. Spanning works made primarily from 1978 to 2001, member: Pope.L, 1978-2001 features a combination of videos, photographs, sculptural elements, ephemera and live actions. This volume, published in conjunction with an exhibition at The Museum of Modern Art, presents a detailed study of thirteen early works that helped define Pope.L’s career. It features essays by curators, artists, filmmakers and art historians, plus an intervieww and artistic interventions by the artist. These components are supplemented by thirteen detailed plate entries that highlight key details of each work. The entries engage performances that are rooted in experimental theatre such as Egg Eating Contest (1990) and Aunt Jenny Chronicles (1991) as well as street interventions such as Thunderbird Immolation a.k.a. Meditation Square Piece (1978), ATM Piece (1996), and The Great White Way: 22 miles, 9 years, 1 street (2001-2009), among others. Together these works highlight the role of that performance has played within a seditious, emphatically interdisciplinary career that has established Pope.L as an influential force in the history of contemporary art.
Pope.L (b. 1955) is a consummate thinker and provocateur whose practice across multiple mediums – including painting, drawing, installation, sculpture, theatre and video – utilizes abjection, humour, endurance, language and absurdity to confront and undermine rigid systems of belief. Spanning works made primarily from 1978 to 2001, member: Pope.L, 1978-2001 features a combination of videos, photographs, sculptural elements, ephemera and live actions. This volume, published in conjunction with an exhibition at The Museum of Modern Art, presents a detailed study of thirteen early works that helped define Pope.L’s career. It features essays by curators, artists, filmmakers and art historians, plus an intervieww and artistic interventions by the artist. These components are supplemented by thirteen detailed plate entries that highlight key details of each work. The entries engage performances that are rooted in experimental theatre such as Egg Eating Contest (1990) and Aunt Jenny Chronicles (1991) as well as street interventions such as Thunderbird Immolation a.k.a. Meditation Square Piece (1978), ATM Piece (1996), and The Great White Way: 22 miles, 9 years, 1 street (2001-2009), among others. Together these works highlight the role of that performance has played within a seditious, emphatically interdisciplinary career that has established Pope.L as an influential force in the history of contemporary art.
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Інші книги The Museum of Modern Art, New York
Характеристики
- Бренд
- Автор
- КатегоріяХобі та захоплення
- Рік2019
- Сторінок144
- Формат250х200 мм
- ОбкладинкаТверда
- Тип паперуОфсетний
- МоваАнглійська
- ІлюстраціїФотографії
- ЖанрЕсеКінематограф, театр
- Вік16+
Від видавця
The first-in depth publication to critically investigate the impact of Pope.L’s early performances on his career
Pope.L (b. 1955) is a consummate thinker and provocateur whose practice across multiple mediums – including painting, drawing, installation, sculpture, theatre and video – utilizes abjection, humour, endurance, language and absurdity to confront and undermine rigid systems of belief. Spanning works made primarily from 1978 to 2001, member: Pope.L, 1978-2001 features a combination of videos, photographs, sculptural elements, ephemera and live actions. This volume, published in conjunction with an exhibition at The Museum of Modern Art, presents a detailed study of thirteen early works that helped define Pope.L’s career. It features essays by curators, artists, filmmakers and art historians, plus an intervieww and artistic interventions by the artist. These components are supplemented by thirteen detailed plate entries that highlight key details of each work. The entries engage performances that are rooted in experimental theatre such as Egg Eating Contest (1990) and Aunt Jenny Chronicles (1991) as well as street interventions such as Thunderbird Immolation a.k.a. Meditation Square Piece (1978), ATM Piece (1996), and The Great White Way: 22 miles, 9 years, 1 street (2001-2009), among others. Together these works highlight the role of that performance has played within a seditious, emphatically interdisciplinary career that has established Pope.L as an influential force in the history of contemporary art.
Pope.L (b. 1955) is a consummate thinker and provocateur whose practice across multiple mediums – including painting, drawing, installation, sculpture, theatre and video – utilizes abjection, humour, endurance, language and absurdity to confront and undermine rigid systems of belief. Spanning works made primarily from 1978 to 2001, member: Pope.L, 1978-2001 features a combination of videos, photographs, sculptural elements, ephemera and live actions. This volume, published in conjunction with an exhibition at The Museum of Modern Art, presents a detailed study of thirteen early works that helped define Pope.L’s career. It features essays by curators, artists, filmmakers and art historians, plus an intervieww and artistic interventions by the artist. These components are supplemented by thirteen detailed plate entries that highlight key details of each work. The entries engage performances that are rooted in experimental theatre such as Egg Eating Contest (1990) and Aunt Jenny Chronicles (1991) as well as street interventions such as Thunderbird Immolation a.k.a. Meditation Square Piece (1978), ATM Piece (1996), and The Great White Way: 22 miles, 9 years, 1 street (2001-2009), among others. Together these works highlight the role of that performance has played within a seditious, emphatically interdisciplinary career that has established Pope.L as an influential force in the history of contemporary art.
Зміст
Перша ґрунтовна публікація, яка критично досліджує вплив ранніх перформансів Pope.L на його кар'єру.
Pope.L (нар. 1955) - неперевершений мислитель і провокатор, чия практика в різних медіа - включаючи живопис, графіку, інсталяцію, скульптуру, театр і відео - використовує приниження, гумор, витривалість, мову і абсурд, щоб протистояти і підривати жорсткі системи вірувань. Охоплює роботи, створені переважно з 1978 по 2001 рік, член: Pope.L, 1978-2001 - це поєднання відео, фотографій, скульптурних елементів, ефемерів та живих дій. Цей том, опублікований у зв'язку з виставкою в Музеї сучасного мистецтва, представляє детальне дослідження тринадцяти ранніх робіт, які допомогли визначити кар'єру Pope.L. Вона містить есеї кураторів, художників, кінематографістів та мистецтвознавців, а також інтерв'ю та мистецькі інтервенції художника. Ці компоненти доповнюються тринадцятьма детальними табличками, які висвітлюють ключові деталі кожної роботи. Серед представлених робіт - перформанси, пов'язані з експериментальним театром, такі як «Змагання з поїдання яєць» (1990) та «Хроніки тітки Дженні» (1991), а також вуличні інтервенції, такі як «Спалення грозового птаха», також відоме як «П'єса для медитації на площі» (1978), «П'єса для банкомату» (1996) та «Великий білий шлях: 22 милі, 9 років, 1 вулиця» (2001-2009), серед інших. Разом ці роботи підкреслюють роль цього перформансу в бунтарській, підкреслено міждисциплінарній кар'єрі, яка зробила Pope.L впливовою силою в історії сучасного мистецтва.
member: Pope.L, 1978–2001
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