Annie Leibovitz. The Early Years. 1970-1983 89426
Код товару: 89426Паперова книга
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ISBN9783836571890
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Бренд
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Автор
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Рік2018
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МоваАнглійська
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ІлюстраціїЧорно-білі
The Origins of a Legendary Photographer
Annie Leibovitz's photographic breakthrough and Rolling Stone reportage
For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.
The catalogue to an installation at the LUMA Foundation in Arles, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.
Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.
Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road?the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
Annie Leibovitz's photographic breakthrough and Rolling Stone reportage
For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.
The catalogue to an installation at the LUMA Foundation in Arles, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.
Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.
Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road?the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
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Характеристики
- Бренд
- Автор
- КатегоріяКультура та мистецтво
- Рік2018
- Сторінок200
- Формат210х260 мм
- ОбкладинкаТверда
- Тип паперуОфсетний
- МоваАнглійська
- ІлюстраціїЧорно-білі
Від видавця
The Origins of a Legendary Photographer
Annie Leibovitz's photographic breakthrough and Rolling Stone reportage
For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.
The catalogue to an installation at the LUMA Foundation in Arles, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.
Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.
Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road?the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
Annie Leibovitz's photographic breakthrough and Rolling Stone reportage
For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.
The catalogue to an installation at the LUMA Foundation in Arles, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.
Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.
Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road?the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
Зміст
Походження легендарного фотографа
Фотографічний прорив Енні Лейбовіц і репортаж Rolling Stone
Понад півстоліття Енні Лейбовіц робить фотографії, що визначають культуру. Її портрети політиків, артистів, спортсменів, бізнесменів та членів королівських родин складають галерею нашого часу, закарбувавшись у нашій колективній свідомості як незвичайністю об'єктів зйомки, так і неповторним стилем Лейбовіц.
Каталог до інсталяції у фонді LUMA в Арлі, Енні Лейбовіц: Ранні роки, 1970-1983" повертає нас до витоків творчості Лейбовіц. Він починається з моменту мистецького одкровення: спонтанного знімка, який змусив Лейбовіц подумати, що вона може перейти з живопису на фотографію як напрям навчання в Інституті мистецтв Сан-Франциско. Ретельно відібрана і особисто куруєма колекція, що включає контактні листи і полароїди, є яскравим документом як розвитку Лейбовіц як молодої художниці, так і переломної епохи.
Репортажні фотоісторії Лейбовіц для журналу Rolling Stone, для якого вона почала працювати ще студенткою, фіксують такі п'янкі політичні, культурні та контркультурні події, як протести проти війни у В'єтнамі, запуск "Аполлона-17", президентська кампанія 1972 року, відставка Річарда Ніксона у 1974 році та турне "Роллінг Стоунз" у 1975 році. Тоді, як і зараз, Лейбовіц завоював довіру видатних і знаменитих, і сторінки книги оживляють багато знайомих облич, серед яких Мухаммед Алі, Мік Джаґґер, Кіт Річардс, Кен Кізі, Патті Сміт, Брюс Спрінгстін, Джоан Дідіон і Деббі Гаррі, а також Джон Леннон і Йоко Оно, зображені в їхніх тепер уже культових обіймах за кілька годин до вбивства Леннона.
У книжці портрети та репортажі поєднані із зображеннями автомобілів, водіння і навіть серією про каліфорнійських дорожніх патрульних. Багато в чому це оспівування життя на дорозі: шалених ритмів, випадкових зустрічей, медитативних можливостей. А з його багатими архівними аспектами, це також данина давнішому часу і молодому фотографу, зануреному в культуру, яка сама перебувала на перехідному етапі.
Annie Leibovitz. The Early Years. 1970-1983
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