Gauguin (Basis Art Series 2.0) 62758
Код товару: 62758Паперова книга
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ISBN9783836532235
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Бренд
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Автор
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СеріяBasic Art Series 2.0
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Рік2017
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МоваАнглійська
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ІлюстраціїКольорові
Destination exotic
Paul Gauguin’s Pacific visions radiate with color and sunshine
Paul Gauguin (1848–1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet.
A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when Van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping “everything that is artificial and conventional…”
On Tahiti, Gauguin’s unfettered joy in the island’s nature, native people, and figurative images leapt over a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring: Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and color. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women.
Gauguin died alone, on Tahiti’s neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguin’s work in Paris that the artist’s profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse. This book offers the essential introduction the artist’s truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.
About the series:
Each book in TASCHEN’s Basic Art series features:
Paul Gauguin’s Pacific visions radiate with color and sunshine
Paul Gauguin (1848–1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet.
A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when Van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping “everything that is artificial and conventional…”
On Tahiti, Gauguin’s unfettered joy in the island’s nature, native people, and figurative images leapt over a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring: Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and color. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women.
Gauguin died alone, on Tahiti’s neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguin’s work in Paris that the artist’s profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse. This book offers the essential introduction the artist’s truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.
About the series:
Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions
960 ₴
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Характеристики
- Бренд
- Автор
- СеріяBasic Art Series 2.0
- КатегоріяКультура та мистецтво
- Рік2017
- Сторінок96
- Формат210х260 мм
- ОбкладинкаТверда
- Тип паперуОфсетний
- МоваАнглійська
- ІлюстраціїКольорові
- Термін поставки5-7 дней
Від видавця
Destination exotic
Paul Gauguin’s Pacific visions radiate with color and sunshine
Paul Gauguin (1848–1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet.
A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when Van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping “everything that is artificial and conventional…”
On Tahiti, Gauguin’s unfettered joy in the island’s nature, native people, and figurative images leapt over a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring: Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and color. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women.
Gauguin died alone, on Tahiti’s neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguin’s work in Paris that the artist’s profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse. This book offers the essential introduction the artist’s truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.
About the series:
Each book in TASCHEN’s Basic Art series features:
Paul Gauguin’s Pacific visions radiate with color and sunshine
Paul Gauguin (1848–1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet.
A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when Van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping “everything that is artificial and conventional…”
On Tahiti, Gauguin’s unfettered joy in the island’s nature, native people, and figurative images leapt over a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring: Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and color. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women.
Gauguin died alone, on Tahiti’s neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguin’s work in Paris that the artist’s profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse. This book offers the essential introduction the artist’s truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.
About the series:
Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions
Зміст
Призначення екзотичне
Тихоокеанські візії Поля Гогена випромінюють колір і сонячне світло
Поль Гоген (1848-1903) не був створений для фінансів. Він також недовго служив у французькому флоті або був продавцем брезенту в Копенгагені, який не знав данської мови. Він почав малювати у вільний час у 1873 році, а в 1876 році взяв участь у Паризькому салоні. Через три роки він виставлявся поряд з Піссарро, Дега та Моне.
Допитливий, питущий, Гоген часто називав себе дикуном. Його близька, але небезпечна дружба з таким же темпераментним Вінсентом Ван Гогом досягла апогею у 1888 році, коли Ван Гог нібито кинувся на Гогена з лезом бритви, а згодом відрізав собі вухо. Невдовзі після цього, після завершення роботи над шедевром середини кар'єри "Видіння після проповіді" (1888), Гоген поїхав на Таїті з наміром втекти від "усього штучного та умовного...".
На Таїті нестримна радість Гогена від природи острова, місцевих мешканців та образів вилилася у велику кількість картин та естампів. У таких роботах, як "Жінка з квіткою" (Vahine no te Tiare, 1891) та "Весна священна: Солодкі мрії" (Nave Nave Moe, 1894), він розробив виразний примітивістський стиль, який позитивно просочується сонячним світлом і кольором. У традиціях екзотичної чуттєвості його густі, маслянисті пасма фарби затримуються, зокрема, на вигинах таїтянських жінок.
Гоген помер на самоті, на сусідніх з Таїті Маркізьких островах, а багато його особистих паперів та речей розійшлися на місцевому аукціоні. Лише після того, як розумний арт-дилер почав курувати та демонструвати роботи Гогена в Парижі, глибокий вплив художника почав даватися взнаки, особливо для нової генерації французьких авангардистів, таких як Пікассо та Матісс. Ця книга пропонує важливий вступ до справді яскравого життя художника, від імпресіоністичних салонів Парижа 1870-х років до його останніх днів на Тихому океані, продуктивного і пристрасного до кінця.
Про серію:
Кожна книга серії "Основи мистецтва" видавництва TASCHEN містить:
- детальний хронологічний виклад життя і творчості митця, що висвітлює його культурне та історичне значення
- стислу біографію
- близько 100 ілюстрацій з пояснювальними підписами
Відеоогляд
Gauguin (Basis Art Series 2.0)
960 ₴
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